Showing posts with label murder. Show all posts
Showing posts with label murder. Show all posts

Saturday, April 9, 2016

Murder, He Wrote

Thriller Guy is off at some undisclosed location doing God knows what. I, in the meantime, have been rattling around in that particular writer hell known as What’s Next? That’s when you’ve finished a major project, in my case a memoir of my early years, and you don’t have any idea of what you’re going to write next. This didn’t use to be a problem for me as I had a fiction series I was writing and after finishing one I would just move onto the next. After six of these books (you can find them on Amazon here) I am reluctant to continue the series, mostly because publishers aren’t interested in buying a new one nor are they interested in taking up the cause of the extensive backlist. So unless there’s a groundswell of buyers, I’m going to stick with Johnson’s famous sentiment about only fools writing if there is no money involved. Or at least the possibility of money.

Many kind folks have asked that I extend my memoir, but many of those who I would be writing about are still alive and, frankly, I don’t really want to piss anyone off, which my writing about them surely would.

Those of you who read this blog know that I have spoken about the What to Write problem before. My usual prescription is to settle down with a bottle of gin and drink until I come up with an answer. That doesn’t seem to be working this time, though I am valiantly soldiering on in this direction.

Recently, by accident, I stumbled upon a Wikipedia site that I believe might well spur a solid plotline. It’s an extensive collection of unsolved murder cases in the United States, and it makes for fascinating reading, falling in the I’ll-read-just-one-more catagory. Once you start, it’s tough to stop. Here are a few edited-for-length, interesting examples.


On May 28, 1911, the body of Belle Walker, an African-American cook, was found 25 yards from her home on Garibaldi Street in Atlanta. Her throat had been cut by an unknown slayer, and the crime was reported in the Atlanta Constitution under the headline "Negro Woman Killed; No Clue to Slayer." On June 15, another black woman, Addie Watts, was found with her throat slashed, followed on June 27 by Lizzie Watkins. The search for the serial killer, called "the Atlanta Ripper" by the press, found six different suspects, but no convictions were ever made, nor was the crime ever solved. By the end of 1911, fifteen women, all black or dark-skinned, all in their early 20s, had been murdered in the same manner. The "Ripper" may have had as many as 21 victims, but there is no conclusive proof that the murders were carried out by one person.


6 to seven dead, 6-7 injured from 1912 to 1919
The Axeman was not caught or identified, and his crime spree stopped as mysteriously as it
had started. The murderer's identity remains unknown to this day, although various possible identifications of varying plausibility have been proposed. On March 13, 1919, a letter purporting to be from the Axeman was published in newspapers saying that he would kill again at 15 minutes past midnight on the night of March 19, but would spare the occupants of any place where a jazz band was playing. That night all of New Orleans' dance halls were filled to capacity, and professional and amateur bands played jazz at parties at hundreds of houses around town. There were no murders that night.


He was born Gaspar Griswold Bacon, Jr. Born to a life of privilege and wealth, David Bacon graduated from Harvard. He summered with his family at Woods Hole on Cape Cod, where he became involved during the early 1930s with the "University Players." There he met then unknown performers James Stewart and Henry Fonda, with whom he later shared accommodations while he struggled to establish himself. He moved to Los Angeles where he met and married an Austrian singer, Greta Keller. In her later years, Keller disclosed that Bacon was homosexual, and that she was lesbian, and that their lavender marriage partly served as what she referred to as a "beard", allowing both of them to maintain a respectable facade in Hollywood, where they were both attempting to establish film careers.
In 1942, Howard Hughes met Bacon, and signed him to an exclusive contract, with the intention of casting him in The Outlaw (1943) as Billy the Kid. Though Hughes later decided not to use Bacon in The Outlaw, he kept Bacon to the terms of his contract, casting him in several smaller roles. Hughes did lend out Bacon for a role in the Republic serial The Masked Marvel (1943). The serial was produced with a low budget, and marked a low point in Bacon's career, with Keller recalling that he was completely humiliated. Today it remains his best-remembered work.
On September 13th 1943, Bacon was seen driving a car erratically in Santa Monica before running off the road and into the curb. Several witnesses saw him climb out of the car and stagger briefly before collapsing. As they approached he asked them to help him, but he died before he could say anything more. A small knife wound was found in his back – the blade had punctured his lung and caused his death. Keller, in an advanced stage of pregnancy, collapsed when she heard of her husband's death, and later her baby was stillborn.
When he died, Bacon was wearing only a swimsuit, and a wallet and camera were found in his car. The film from the camera was developed and found to contain only one image, that of Bacon, nude and smiling on a beach. Police theorized that the photograph had been taken shortly before his death by his killer. The case attracted publicity for a time and remains unsolved.

These are just three examples chosen at random from the extensive list. As a historical novelist, these older examples appeal to me more than the current ones, though they are interesting as well. I could imagine writing about 1911 Atlanta, or the Axeman of New Orleans. Imagine the fun you could have writing that scene where all of New Orleans played jazz one night to keep the Axeman from killing again. Fabulous. And I am particularly drawn to the failed actor, circa Hollywood, 1943, stumbling out of his car with a small knife wound in his back as the air leaked out of his lungs while he begged for help. What a story.

Hmmmm. Maybe I’m on to something here. Let me get my gin bottle. Time to do some heavy thinking.



Thursday, October 17, 2013

How Much is Too Much? Rape, Murder and Torture in the Modern Thriller.



There are a couple of things that can be agreed on: Thriller Guy is one tough hombre and
that thrillers are, by their nature, going to concern death and destruction in all its possible varieties.  Over the course of, say, a years worth of reading thrillers for review, the body count involved reaches staggering numbers. But it isn’t the numbers that give TG pause, it’s how the deaths are depicted, and even more disturbing, with what ease and sometimes, eagerness writers show in the depictions. The joy they seem to take in writing about cutting off the fingers and more of helpless women, the rapes, the obscenities they create first in their heads and then on the page. TG finds these details disgusting. Wait, you say, you’re missing the point, TG, they’re supposed to be disgusting. That’s how the author seizes the reader, how he manipulates the reader’s emotions so that his villain ascends to that place in the reader’s imagination where his destruction becomes paramount. It is how justice is defined, in opposition to absolute evil.

Yeah, well, sure, but that’s not what I’m talking about. What I’m talking about is Wilbur Smith.
He’s the mega-selling author of various series, i.e. The Courtneys, The Courtneys of Africa, The Ballantine novels, The Egyptian Novels, and others. Fortunately, Thriller Guy has never been assigned any of these books to review. Unfortunately, he’s had to review Smith’s last two: Those in Peril, and his latest, Vicious Circle. In the review of Those In Peril, TG warned readers that the book was ultra violent, particularly in its treatment of women, though he also pointed out that was what Smith’s readers seem to like. In Vicious Circle, Smith really pours it on, degrading and torturing two girls, one of whom has been driven insane. Many of you will say, “it’s not Smith doing the torturing, it’s the character in the book.” Yeah, well, that’s just an excuse for what Smith seems to relish writing, and this is sick stuff.

Circle continues the story of series hero Hector Cross. Here’s the rundown on the book, taken from Smith’s website: “Hazel Bannock is the heir to the Bannock Oil Corp, one of the major oil producers with global reach. While cruising in the Indian Ocean, Hazel's private yacht is hijacked by African Muslim pirates. Hazel is not on board at the time, but her nineteen year old daughter, Cayla, is kidnapped and held to ransom. The pirates demand a crippling twenty billion dollar ransom for her release.
Complicated political and diplomatic considerations render the major powers incapable of intervening. When Hazel is given evidence of the horrific torture which Cayla is being subjected to, she calls on Hector Cross to help her rescue her daughter.
Hector is the owner and operator of Cross Bow Security, the company which is contracted to Bannock Oil to provide all their security. He is a formidable fighting man. Between them Hazel and Hector are determined to take the law into their own hands.

Cayla, is subjected to intense graphic, repeated, sexual torture by her captors until they chop off her head and send it to Hector and Hazel. The torture scenes are well over and beyond anything that was needed to make his point. Well into pornographic territory.

Circle is even worse. I have been debating if I should put some examples up on this site. I won’t put up any of his sickness with the little girls, but here’s a nice little para as the bad guy is debasing on of his minions, who we are told really loves this treatment.

“He slid his finger out of her and held it up in front of her face. “Now look what you’ve done, you dirty little whore. You have made my nice clean finger dirty with your filthy pussy.” (p172)

On the next page he cuts off both her ears and makes her eat one of them; on the next page he jams a knife into her gut and disembowels her.

He saves the worst for the children. On page 200 he depicts the bad guy having sex with little Sacha, “Three weeks before her ninth birthday party.”

Sacha is driven mad by this treatment and later on he writes a very long torture scene where Sacha finally dies and her sister is fed alive to a herd of pigs. Of course this scene is being filmed to be sold to perverts on the Internet.

TG has a very wide tolerance for the levels of mayhem. But what he has no tolerance for is when an author seems to be taking enjoyment in writing this stuff. Of course TG has no way of knowing if this is so, but the extreme torture of women and children occurs again and again in these two books.

Is Wilbur Smith to blame? Of course he is. But so are the people who buy his books, and they are legion. I have no idea if this sort of thing is on the pages of his many other series, and I’m not going to read them to find out. If for no other reason than he’s a terrible writer.  “Hazel,” he said with rising anger. “Fight, my darling. Fight the bastard.” He knew the black angel had come for her. “Don’t let him take you!” (p49)

Those in Peril was a bestseller, as are most of Smith’s books. I assume Vicious Circle will be if it isn’t already one. Thriller Guy will never review another one.

Anyone who reads this crap, and enjoys it, should be ashamed.

Anyone who writes this crap should be ashamed.

Shame, shame, shame.