They say moving is one of the most stressful events in a
person’s life, second only to the death of a loved one. I believe it. But it occurred
to me recently as I was driving down I-95 for the fifth time, shuttling between
suburban Maryland and my new hometown in North Carolina, trying to keep straight
in my mind a list of things I had to remember to do while concentrating on not
crashing my loaded car, that the mental contortions that I was going through
were, or at least they felt so to me, just like those my brain undergoes when I
am in the throes of writing a novel. In both instances there are just too many
things one needs to remember, and not only remember but constantly keep in mind
because one event almost always influences another.
Did I remember to have the utilities turned off? On? Has the
realtor put in the closing extension paper? Did the termite guy turn in his
report? Did the movers deliver the boxes? Did I remember to put in a scene in
Chapter One about the restraining order, or did I just think that I should do
it? Is there enough backstory about Maria? Does Trevor need a Dark Secret in
his past? What the hell is going to happen in the end?
Look out! Jesus, where
did that truck come from? Where am I? Richmond! I can’t be in Richmond already.
Where the hell did the last 45 miles go?
I’m sure you’ve had the same experience: you’re alone in the
car on a trip, you’re driving along and suddenly you notice you’ve been on
autopilot for X number of dangerous miles. This lost time might have been spent
in simple reverie, but in the two experiences I’m discussing here, Moving and
Novel Writing, you can blame the intense mental work involved with each.
And that’s just the technical details, the lists of Things
To Do. That’s to say nothing of the extreme pain that involves both. Most
people have the experience of at least one big-time move in their lives. Say
from a house of many years where you’ve raised a family and piled up all
the crap that one collects and suddenly you have to figure out what to throw
away and what to take with you. Same thing with a book. You’ve piled up many
pages over the years it’s taken to produce a draft and suddenly you realize the
damn thing needs to be drastically cut (every novel needs to be cut) so you
agonize over what’s important – to you and to the book – and throw out what
isn’t. So that’s what you’re doing hurtling south on I-95 at 75 miles an hour.
Throwing things out, making lists, rearranging furniture and material.
Look out, world. There’s a guy on the highway with 14 boxes
of books and other assorted crap in the back of his vehicle and he’s got a lot
on his mind. Or maybe he’s a novelist and he’s blocking out a scene where the
sailing ship has an encounter with a white whale. In either case, he’s
dangerous. Trust me, I know. That guy is me.
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